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26
August 2007 |
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THE
RICHARD MILLE PLANETARIUM-TELLURIUM | |
BACKGROUND From the earliest
times of civilization, man has always attempted to duplicate,
depict and reflect the surrounding visible celestial universe.
In ancient times these physical representations were generally
monumental and static, comprising architectural models or
temples dedicated to connecting a specific place with specific
astronomical determinations. Later smaller and more portable
mechanical models of the physical movements of the sun, earth,
moon and the planets as well as other types of astronomic
occurrences were developed for use on land and sea.
One
of the first major references to such a man made device
depicting the movements of the moon and planets dates from a
text by Cicero, which describes an invention created by Archimedes (287-212 B.C.). Although
the actual object the text describes was never found, the
famous Antikythera, a later machine tentatively dated between
80 and 50 B.C. must surely be the earliest planetarium of its
kind. Discovered in 1901 along with a vast number of glass and
bronze statues and artefacts, the secret mechanism it
contained, able to show the movements of the sun, moon, and
four of the planets visible to the naked eye, were only
uncovered after X-ray photography revealed the inner workings
contained within its dark green, discoloured bronze exterior
in 1959.
Many different forms and versions of
astronomic machines depicting the movements of the heavenly
bodies were created in the course of time in many different
cultures. For our purposes, broadly speaking, these can be
divided into two major groups: manually set or clockwork
driven representations.
One of the earliest European
paintings of a geared mechanism representing the movements of
the sun, earth and moon with a horizontal layout similar to
late 17th century table sized examples, can be seen in a
portrait of the German astronomer and inventor Wilhelm
Schickard (1592 – 1635) who taught at Tübingen, Germany.
Although crude in design and lacking the correct number of
teeth for a true representation, the manually driven mechanism
he holds in his hand depicts the annual and diurnal
revolutions of the earth according to the Copernican model. Be
that as it may however, the Tellurium, (a three dimensional
model depicting the earth’s yearly cycle around the sun, its
diurnal movements and its parallelism of axis), seems to have
developed first in The Netherlands and fine examples of
Telluriums created by the famous Amsterdam cartographer
Wilhelm Janszoon Blaeu (1571-1638) support this
history.
However, the development of the clockwork
driven planetarium or tellurium that could show the movements
of heavenly bodies automatically without manual intervention
had to wait until the appearance of newer and more accurate
types of escapements that evolved during the course of the
17th century. In addition to the question of the escapement,
there was still much to additional work be done to improve
representational accuracy since the calculations of the gear
teeth ratios were still imprecise, therefore making it
necessary to re-synchronise a planetarium every fortnight (for
example, a + 1° error in 8 hours in the rotation of the earth
on its axis corresponds, in 15 days, to a + 45°
discrepancy).
From a more general perspective, it is
perhaps important to recall that from the 14th century until
roughly mid 20th century, horology and the applications
derived from it were as important to the scientific, military
and civilian spheres as are, for us today, information
technology and its applications. For this reason, countries
such as Italy, Germany, Japan, France, England, and finally
Switzerland, competed with each other for supremacy in the
creation of horological inventions and timekeepers. The
clockwork driven planetarium-tellurium represents another
expression of that competitive spirit.
Some important
names in the field of horology who were occupied with the
development of the planetarium are: Han Kung-Lien (ca. 1088),
Giovanni de’ Dondi (1318-1389), Jost Bürgi (1532-1592), Willem
Janszoon Blaeu (1571-1638), Christian Huygens (1629-1695),
Thomas Tompion (1639-1713), Georges Graham (1673-1751),
Philip-Mathaus Hahn (1739-1790), Jean-Baptiste Cattin
(1688-1767), Antide Janvier (1751-1835), François Ducommun
(1763-1839) and Jean-Jacques Lepaute
(1775-1830).
RICHARD MILLE'S 21st CENTURY
CONTRIBUTION TO THE DEVELOPMENT OF THE
PLANETARIUM-TELLURIUM The Richard Mille Planetarium is
a rare and unique object of its kind, containing a vast number
of extremely precise indications and astronomic
representations within the limits of mechanical design. It was
developed to be effective and practical in daily use with the
possibility of corrections for different time zones and ease
of setting, all of which is executed with workmanship of an
extraordinarily high level. All these conditions mean that it
is an extremely difficult object to create, and thus a rarity.
For this reason more than 8 years have been necessary for the
development of the Richard Mille
Planetarium-Tellurium.
Another unique aspect of the
Richard Mille Planetarium-Tellurium is the addition of a
perpetual calendar to the astronomic representations in
combination with a détente chronometer escapement. The
addition of a highly accurate going train and winding barrel
of the planetarium to this escapement make this the most
accurate clockwork planetarium-tellurium of its
kind.
DESCRIPTION OF THE RICHARD MILLE
PLANETARIUM-TELLURIUM MOVEMENT Despite its enormous
complexity, the Richard Mille Planetarium-Tellurium is
designed to be:
- easy to understand - easy and
practical in use - precise and reliable
This means
that for the first time, an object of this type will be able
to be operated by someone who is not a
specialist.
Understandable visual
representation First of all, the diameter of the earth
has for practical and aesthetic reasons been notably enlarged
in the Planetarium-Tellurium (in reality, the earth is 109
times smaller than the sun) allowing a good view of the
continents and indeed of countries. All the planets can be
seen perfectly, although these, as explained above, are not to
scale regarding size and distance. The indications (date,
equation of time, zodiac) are represented in an easily
readable and consistent way, and on a separate area from the
layout depicting the rotation of the planets.
Practical in use The planetarium-tellurium
is wound with a lever system, and it has a power reserve of 15
days.
The perpetual calendar, which is for the first
time included in a planetarium, is fitted with a rapid
corrector that allows it to be corrected either forwards or
backwards. The same adjustment can be made to the
Planetarium-Tellurium, after it has not been wound for a long
period. This synchronisation, seemingly simple yet a true
technical feat since it is also linked to the time zone
mechanism including local, summer and winter time, is the
result of lengthy research into mechanical engineering and of
very important developments allowing the object to be quickly
restarted. This had previously been impossible, because it
required asking the help of a specialist in watchmaking and
astronomy
The movement is fitted with a Stop-Restart
balance whose function it is to restart it after having been
immobilised (the problem of the failure of the balance
starting up during winding of the movement is an inherent
feature of the detent escapement).
Precision and
reliability of the Richard Mille
Planetarium-Tellurium The numerous calculations
required for this project were executed by a renowned
astronomer-physicist. This means that the main consistent
error occurs only regarding the earth on its axis, with +1° in
approx. 7.7 years. The other figures are as follows: +1° in
approx. 168 years for the rotation of the moon around the
earth, and -1° in approx. 2 million years for the rotation of
the earth around the sun. Given that the value of 1° is below
the timing tolerances (+/- 2°) adopted for this planetarium,
whilst for the earlier planetariums, the error range was far
greater, one realises that the error of the earth on its axis
is perfectly acceptable, indeed of no
significance.
For the basic movement: The
movement of the Richard Mille Planetarium-Tellurium has a
detent escapement which is much more efficient than the lever
escapement because it interferes less with the balance
wheel.
The adjustment forward and backward is done on
the balance wheel with variable inertia, using adjusting
screws. This type of balance is highly sophisticated and
guarantees greater reliability as well as better chronometric
results. The index has thus been left out, which allows for a
more precise and repetitive time adjustment.
The
winding spring is a Tensator type spring, and provides a more
consistent torque, which is a vital element in the
performance.
REPRESENTATIONS AND
INDICATIONS Astronomic representations (R) and
indications (I) - Rotation of the earth on its axis
(R) - Rotation of the earth around the sun (R) -
Obliquity of the earth (R) - Rotation of the moon on its
axis (R) - Rotation of the moon around the earth (R) -
Phases of the moon (I) - Equation of time (I) - Mercury
(R) - Venus (R) - Sun (R)
Rotation of the
earth on its axis (R) One rotation on its axis in 24
hours. Error: +1° in 7.7 years
Rotation of the earth
around the sun (R) One rotation in 1 year. Error: -1°
in 2 million years. This rotation is used as the basis for
indicating the seasons, the equinoxes, solstices and zodiac
signs, represented in their respective
windows.
Obliquity of the earth (R) Exact
rotation, the tilt of the earth’s axis between the two poles:
23.5°. This tilt towards the sun provides a perfect
understanding of the phenomenon of the
seasons.
Rotation of the moon on its axis and
rotation of the moon around the earth (R) The
calculation of the rotation is based on a synodic month of
29.53058912 days (time interval between two new moons). Error
: +1° in 168 years.
Phases of the moon
(I) The phases of the moon are represented on the moon
itself with a surrounding ring that represents the area
visible from the earth.
Equation of time
(I) The equation of time is represented by a fuel gauge
liek dial divided into sectors on the front part of the
planetarium. The hand represents in + or – the minutes that
must be added or subtracted from the mean time in order to
obtain the true solar time.
Solar time
Associated with the equation of time, it represents the
true time in relation to the sun. This indication is connected
to the planetary mechanism and is on the
dial.
Mercury (R) Representation of Mercury
performing a rotation around the sun in 87.9 days. Mercury
does not rotate around its axis.
Venus
(R) Representation of Venus performing a rotation
around the sun in 224.7 days. Venus does not rotate around its
axis.
Sun (R) Static representation of the
sun in the centre of the planetarium-tellurium.
Time
indications - Hour - Minute - Time zones -
Date (Perpetual calendar) - Day (Perpetual calendar) -
Month (Perpetual calendar) - Year, decade (Perpetual
calendar) - Leap year - Power reserve - Seasons,
equinoxes, solstices, Zodiac signs
MATERIALS
USED, Titanium, steel, brass, gold, silver,
tungsten
SERVICEABLE LIFE It is still
possible today to restore watches that are more than 6
centuries old. The Richard Mille planetarium-tellurium will
not be an exception to this rule, each component can be
manufactured again. But by way of an example, the mainspring
is designed to last approximately 350
years….
MAINTENANCE Cleaning is recommended
every 5 years.
AFTER-SALES SERVICE In-house
service. In the long term, this type of objects can be
repaired by a highly qualified watchmaker, or by a very
skilled restorer of ancient watches.
GUARANTEE 3 years, components and
workmanship, including transport. Does not cover drops,
extreme shocks or inappropriate handling.
The
Richard Mille Planetarium-Tellurium will be unveiled at The
Hour Glass' Tempus Event on the 4th September 2007. For higher
resolution version pictures of the ones shown here, please log
in to our Press Center via the portal page at
www.richardmille.com or for further infomation, please
contact: press@richardmille.com
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